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The second CD contains about 600MB of audio loops from various companies.
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The first CD is the main installer, and also includes an up-to-date set of hardware drivers for MOTU audio and MIDI interfaces, a couple of demo projects, and the obligatory Read Me file.
InstallationĭP 4.5's rather imposing box includes two CDs and two manuals. DP is also extensively controllable by keyboard shortcuts, or indeed MIDI messages, and version 4.5 introduces mouse scroll-wheel support for window scrolling and altering parameter values.
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If you're not a mouse lover you can control DP from various hardware control surfaces including the Mackie Control and HUI, and the Radikal Technologies SAC 2.2, and there are sections in the DP 4.5 manual describing the use of each of these. As for MIDI, DP will use any USB interface that is Core MIDI-compatible, and if you choose a compatible MOTU model you get sub-millisecond timing accuracy courtesy of their Midi Time Stamping (MTS) technology.
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For more on using Digital Performer as a front end for Pro Tools systems, see the box on page 140. Clearly, MOTU would love you to opt for one of their own models, but any Core Audio-compatible audio interface will do, and DP will also work with Digidesign hardware such as Pro Tools Mix, HD and Accel systems via DAE version 6.2 or later. Staying on the subject of hardware, DP 4.5 can of course use the Mac's built-in audio facilities for recording and playback, but you get more flexibility and better sound quality by pairing it up with a dedicated audio interface. DP 4.5 isn't a processor hog, but it's not a miracle worker either. Most Macs produced in the last two years or so should be good hosts for DP 4.5, but clearly if you want the best performance you need to be looking at a G5, and preferably a dual-processor model with as much RAM as you can afford. The Right Tools For The JobĭP 4.5 will run on pre-G3 Macs, but my advice would be not to try this at home, or anywhere else for that matter! A much more realistic minimum spec is a G4 with no less than 512MB RAM, but having said that, even old single-processor models will work quite well, and vastly better than they did under DP 4.1, thanks to a new feature in 4.5 that modifies the way that it integrates its processes with OS X's multi-threaded processing. Choosing a sequencing platform can sometimes feel like choosing a religion, so it pays to consider all the options carefully! DP still isn't as well known in Europe as it is in the US, but it's a strong contender for anyone looking for a platform to commit to, or, indeed, defect to. Of course, it's the details of how DP does all this that give it a character that's distinct from Pro Tools, Cubase SX, Nuendo or Logic, and which generate so much strong feeling in advocates for or against it. It has extensive MIDI facilities, audio recording and editing, a virtual mixing environment, music notation, soft-synth hosting and Rewire compatibility - in fact everything you'd need to take almost any musical or sound-related project from inception to completion. Though some of its new features had been trailed for a while beforehand, DP 4.5 was delivered at the end of 2004 with many surprising and very welcome new capabilities, some of them major advances, and some more subtle but equally valuable.ĭP 4.5, as you'd expect, can do just about anything any of the other 'big' sequencing packages can do. Even the OS X-compatible version 4.0 retained some stubbornly non-standard GUI features that sometimes seemed to owe as much to System 6 as Apple's Aqua technology. One thing that has never changed is DP's fundamental 'character', which remains extremely customisable, very musician-friendly, and unashamedly individualistic. Throughout its history, MOTU have gradually developed and refined the application rather than ever 'reinventing' it, and as such it has over time accumulated a vast range of features and working methods.
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The migration to OS X has caused major upheavals for both software manufacturers and musicians, but Mark of the Unicorn's long-established Digital Performer sequencer is better than ever.ĭigital Performer goes back a long way, and has its roots in Performer, one of the very first Mac sequencers. Also shown is the Tools palette and transport, otherwise known as the Control Panel.
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This allows users to flexibly configure their workspace whilst ensuring that windows never overlap or become hidden - a very nice user-interface tweak, and a vast improvement over previous versions of DP. Digital Performer 4.5 shows off one of its newest features: the Consolidated Window.